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Words cannot express how weary I am of watching lifeless, hollow movies like My Life in Ruins - generic romantic comedies that have no clue when it comes to either "romance" or "comedy." The films aren't quite poorly enough made to label them "bad...

When it comes to historical epics, Ridley Scott has a checkered past and Napoleon, his bio-pic of the early-19th century ruler of France, doesn’t change that. An uneven and historically questionable examination of the man behind the legend, the ...

Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was rem...

Next represents Nicolas Cage's second superhero movie in the space of two months. However, where Ghost Rider was based on a comic book, Next takes its inspiration from a Philip K. Dick story. The result is not unlike what we have come to expect o...

For those familiar with director Shane Black’s oeuvre, The Nice Guys is closer to Kiss Kiss Bang Bang than Iron Man 3. Featuring the same blend of high octane action and Tarantino-esque humor as Black’s 2005 debut, The Nice Guys doubles as a come...

It's strange how the concept of two people wandering around a city at night falling in love has come of age in 2008. First, there was In Search of a Midnight Kiss. Now there's Nick and Nora's Infinite Playlist. Of course, Richard Linklater can c...

Into the calm before the box-office storm of The Lost World rises Night Falls on Manhattan, Sidney Lumet's triumphant return to worthwhile movie-making. The director of such memorable films as Serpico, Dog Day Afternoon, and Network has been in a ...

Dread – it’s the lifeblood of any good horror movie/ghost story. Blood, gore, and a high body count are all nice accompaniments, but for a film in the genre to work, it has to fill the viewer with an almost suffocating sense of doom. When ...

Watching No Sudden Move, the thought came to me that, if I didn’t know the director beforehand, I might guess Steven Soderbergh or the Coen Brothers. It’s the kind of production that only those filmmakers (or their proteges) would make, using...

Nobody plays like a less frenetic, grittier version of John Wick with 58-year-old Bob Odenkirk standing in for 56-year-old Keanu Reeves (who was 49 when the first film of the now-franchise was made) as the middle-aged guy nobody should screw w...