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Perfume: The Story of a Murderer is beautiful in its ugliness. Among other things, it features gorgeously composed scenes of maggots, animal entrails, and human corpses. And, in direct contrast to Marie Antoinette, it portrays 18th century France...

Most of us, even some who were part of the "in crowd," think of ourselves as having been outsiders during high school. It's the nature of adolescence. Movies like Stephen Chbosky's The Perks of Being a Wallflower capture the awkwardness, the lonel...

In the community of elite critics, there are those who would claim that Persona is the best film ever made, placing it in the rarified atmosphere of such classics as Citizen Kane, City Lights, and Tokyo Story. Although I would agree that Perso...

As long as there will be movies, new adaptations of beloved classics will follow. The important aspect for every director to remember is to find a unique angle – a change in tone, a different slant to the narrative, a shift in setting, etc. ...

This review contains spoilers. Oblique spoilers, but spoilers nonetheless.Although technically classified as “horror” or a “thriller”, Personal Shopper works best when viewed as a mood piece. There’s something hypnotic about the way ...

If you have read Persuasion or consider yourself a Jane Austen aficionado, this new Netflix-funded production hasn’t been made with you in mind. In fact, the more familiarity one has with Austen, the more likely the 2022 Persuasion is to be seen...

Jane Austen, considered by many literary critics to be among the first of the "modern" writers, is perhaps best known for creating believable, strong-willed, independent female characters in an era when women in books were often little more than wi...

With his third directorial effort, Kenneth Branagh (who has already done the Shakespearean Henry V and the noir thriller Dead Again) sets his sights a smaller sort of picture. Peter's Friends is a slice-of-life movie that illustrates the reunion o...

Most of us living in the United States have never heard of “Peterloo” so Mike Leigh’s recreation of the events leading up to the infamous August 16, 1819 massacre represents a history lesson as well as an effectively crafted (albeit too ...

Phantom Thread, Paul Thomas Anderson’s follow-up to 2014’s Inherent Vice, feels a little like a mash-up of Bergman and Hitchcock without the verve of the latter and the subtleties of the former. What begins as a stately costume drama set i...