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Since 1997, Titanic fans have been yearning for a re-teaming of Leonardo DiCaprio and Kate Winslet. Revolutionary Road is the opportunity they have awaited, but the results may cause as much distress as joy. Directed by Winslet's husband, Sam Men...

In an empty conference room on the forty-sixth floor of Los Angeles' Nakatomo Tower, the dead body of a beautiful young call girl has been found sprawled out on a table. When Lieutenant Tom Graham (Harvey Keitel), the racist cop in charge, has tro...

The Road is undoubtedly one of the fall's most anticipated offerings, in part because it has been lingering on the horizon of the cinematic landscape for a year. Originally scheduled for a release in late 2008, it was delayed when filmmaker John H...

Robots is every bit as visually engaging as the best of the Pixar (or Dreamworks) digitally animated fare. The landscapes are stunning, the characters are intricately formed, there's plenty of break-neck action, and Robin Williams provides a helpi...

Once you get past all of the wild camera tricks and visual gimmickry, you arrive at the core of The Rules of Attraction and find out that it's really about something other than replicating the party life at a New England college. Working from his ...

There are times when the story behind the making of a film is more interesting than the finished product. This is one of those occasions. The Rum Diary was written by Hunter S. Thompson in the 1960s but was not published until 1998, after actor Joh...

The memory is not to be trusted, at least insofar as movie evaluation is concerned. When I first saw The Running Man in theaters more than 30 years ago, I believed it to be firmly rooted in the “dumb entertainment” category where many of t...

It's pointless criticizing a Nicholas Sparks movie for being a Nicholas Sparks movie. Sparks, like Barbara Cartland before him, delivers exactly what his fans want: romance between two attractive people. He tugs at heartstrings, acts like an onion ...

Sahara takes the action/adventure story to new heights of preposterousness. In a way, that's not a bad thing, since it allows a certain level of guilty enjoyment. You're never expected to take anything in the movie seriously, because the characte...

This is the third time Stephen King’s bestselling vampire novel, Salem’s Lot, has been adapted for a visual medium. The first two, one in 1979 and the other in 2004, were both mini-series with running lengths of slightly over three hours. In o...