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Considering how ubiquitous social media has become in the early 21st century, it’s surprising how few films have used this cultural element as the foundation for a movie plot (rather than just window dressing). Nerve seeks to rectify this overs...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

To find Nomadland, all one has to do is locate the place where the documentary intersects with the feature film. Based on the non-fiction book by Jessica Bruder, writer/director/editor Chloe Zhao has added form and texture by presenting this j...

There’s a trick to doing a psychological thriller right. Hitchcock understood it. So did Chabrol and the Coens. Paul Feig, however, needs to brush up a little more on his technique. Tone is one of the biggest problems with A Simple Favor, a...

Summerland, the directorial debut of playwright Jessica Swale, tells the familiar story of the spinster who has an unwanted ward thrust upon her and, despite initially resenting him, comes to care for him. Swale’s screenplay deflects some cr...

Sweet Virginia is an odd title for a movie set in Alaska. An early version of this moody, atmospheric neo-noir thriller was located in the Appalachian Mountains; however, when director Jamie M. Dagg came on board, he moved the setting far to t...

One thing Tell It to the Bees gets right is presenting the societal stigma associated with same-sex relationships during the 1950s, especially in small, closed-off communities. Unfortunately, while director AJ Jankel (Super Mario Bros – yes,...

Remaking movies is always a risky endeavor, and remaking a classic can border on the foolhardy. Taken on its own terms, however, Jonathan Demme's The Truth About Charlie, a '00s re-interpretation of the 1963 thriller Charade, is a decent – and e...