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It’s impossible to catch lightning in a bottle twice, yet that’s what director Danny Boyle is trying to do with his belated sequel to Trainspotting. More an extended epilogue to the cult 1996 movie than a stand-alone story, T2 (the title is...

Errol Morris may be unique among high profile, veteran documentary filmmakers in that his primary interest is in the people he interviews. His movies are real-life character studies not pseudo narratives, political rants, or "serious" examinations ...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

Few movies are easier to review or define a recommendation. If you're a die-hard fan of either Jack Black or the band he formed with Kyle Gass, you'll likely love every moment of Tenacious D in the Pick of Destiny. For anyone else, the better choic...

Terminator 3 is the summer movie of 2003 that hard-core action fans have been awaiting. It's not ponderous and incomplete like The Matrix Reloaded. It's not steeped in characterization and modern-day mythology like Hulk. And it's not vapid and f...

Note: This review contains "casting-related spoilers." Terminator: Salvation does not seem like a Terminator movie, at least when compared to what we have experienced from filmmakers James Cameron (The Terminator, Terminator 2: Judgment Day) and...

Terror in the Aisles is a clip-fest. With excerpts from nearly 80 horror movies that run the gamut from classics to long-forgotten duds, the film provides glimpses of cinematic scares and gore covering the period between the 1930s and the early 19...

Two things become apparent when watching writer/director Michael Almereyda’s chronicle of the life of inventor Nikola Tesla. The first is that Almereyda wasn’t interested in making a straightforward, by-the-numbers biopic. By employing a c...