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Sign #1 that there might be something wrong with a film: its release date has been pushed back twice. Sign #2 that there might be something wrong with a film: the final release date is in January. With those two strikes against it, The Rhythm ...

Richard III - it's Shakespeare that has nothing to do with Kenneth Branagh. Actually, at first glance, this film doesn't appear to have anything to do with the Bard's play, either. Opening in a 1930's England war room with a tank crashing through...

Even after nine years, you can't keep a good man down. The indomitable protagonist of 2000's surprisingly engaging Pitch Black and 2004's disappointing The Chronicles of Riddick is back for his third go-around and, if the open-endedness of the narr...

Stevie (Robert Carlyle) is an ex-con from Scotland struggling to start anew. In an attempt to change his life, he takes a construction job in North London where he meets an assortment of others who, in one way or another, are just like him. H...

The tale of Robin Hood is one of several dozen Hollywood staples that experiences re-makes or re-interpretations on a regular basis by the motion picture industry. If nothing else, that's a testimony to the legend's enduring popularity. The most ...

Guy Ritchie made his mark for film-goers not by marrying one of the world's most visible pop stars, but by crafting Lock, Stock and Two Smoking Barrels and Snatch. He exploded onto the cinematic scene with the former; the reaction from Hollywood wa...

Nearly a half-century after the theatrical debut of Jim Sharman’s The Rocky Horror Picture Show, the movie at the heart of the cult experience has been reduced to near-irrelevance. Devotees attend midnight screenings not because they want to...

A staple of high school literature classes, Romeo & Juliet has proven no less popular with filmmakers, who return to this classic on a regular basis. The problem with making a new version of Shakespeare's most read romance is that, like Hamlet, the...

Rory O'Shea Was Here treads a fine line between offering an unvarnished look at the tribulations of being disabled and stumbling into the realm of Hollywood-inspired claptrap. At its best, Damien O'Donnell's film peers into aspects of the lives of...

Based on the evidence at hand, one has to assume the missing ingredient is Edgar Wright. Wright, the co-writer and director of Shaun of the Dead and Hot Fuzz, is nowhere to be found in the credits list of Run Fatboy Run. Instead, on this occasion...