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Although it’s being marketed as a love story, The Aftermath is more about grief and recovery than romance. In fact, the film’s illicit relationship is a cold, passionless affair that generates as much heat as a dying ember in a snowstorm. ...

August Rush isn't just a bad movie - it's an aggressively bad movie. There are times when it tips the scales of absurdity and becomes almost comical. The film intends to be a modern day fable about fate and music and Dickensian characters but the...

Babylon A.D. has the look and feel of a skeleton: an unfinished outline that whooshes by so fast that it becomes incomprehensible as its storyline and characters are lost in a flurry of fast cuts and poorly choreographed action sequences. The film...

E.T. There, I’ve gotten it out of the way - the obligatory mention of the classic 1982 collaboration between director Steven Spielberg and screenwriter Melissa Mathison that every critic will make when reviewing The BFG. The truth is, howev...

Bill & Ted Face the Music is a love letter for fans of the cult classic films Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. Designed with die-hards in mind, the concluding chapter of the trilogy brings back a few friendl...

Feelings of déjà vu while watching The Box are understandable (perhaps inevitable), with the movie evoking memories of a Twilight Zone or Outer Limits TV episode. Such similarities are not coincidental; the author of the source material, Richard...

The infamous tale of two 19th century Scottish murderers, William Burke (Simon Pegg) and William Hare (Andy Serkis), might make for a dark, compelling drama. Or, with a little more focus on the gore, it could be a period piece horror movie. But a ...

The setting of Cracks - an elite British all-girls boarding school during the 1930s - is a classic exploitation film locale. For her feature debut, however, Jordan Scott (daughter of Ridley, who co-executive produced the film along with his brother...

The historical events referenced in Volker Schlondorff's 2014 film Diplomacy (based on the stage play by Cyril Gely) are real but the details have largely been fudged, imagined, or fictionalized. To quote Mark Twain, "Never let the truth get in the...

Spoiler Note: The review is “spoiler lite” with nothing beyond what has been shown in the trailer and other officially sanctioned pre-release material. However, although I don’t reveal any cameos that are in the film, I mention some that are...