ReelViews for R movies

Promising Young Woman, the auspicious, audacious debut feature of writer/actress-turned-director Emerald Fennell (she played Camilla Parker-Bowles in “The Crown”), defies classification. Is it a dark comedy with thriller overtones? Is it a...

The Promotion is a nice little comedy about what it takes to climb the corporate ladder and the toll such actions take on the psyche of a decent individual. Despite the presence of Seann William Scott, who will forever be known as Stifler from the...

Proof, the debut feature that earned Australian director Jocelyn Moorhouse a chance to make studio films in America (How to Make an American Quilt, A Thousand Acres), was one of 1991's best-kept secrets. Although the movie received a small U.S. ...

Every once in a while, someone gets the bright idea of making an apocalyptic horror film. The Omen series is probably the best-known example of this sub-genre, but it's not the only one. Now, The Prophecy, with its tale of warring angels and lost...

A Prophet (Un prophète in its home tongue) is director Jacques Audiard's gangster-themed twist on the rags-to-riches story. Although it's a genre staple to present the story of an innocent corrupted by the criminal world and rising to a position ...

It is said that revenge is a dish best served cold. The Proposition illustrates that, extending the metaphor, revenge is more often bitter than sweet. Gritty to the point of being disturbing, The Proposition examines the revenge thriller not as t...

Whatever its flaws, one can certainly not accuse Prozac Nation of avoiding risks. The movie, directed by Erik Skjoldbjaerg (the original Insomnia) and adapted from the book by Elizabeth Wurtzel, doesn't exactly go out on a tightrope, but it frequen...

Halloween is rightfully considered to be the father of the modern slasher movie. Ultimately, all the Friday the 13ths, Nightmare on Elm Streets, and Screams owe their existence to that one low-budget film that crept its way across motion picture s...

[Click here to read my review of the original 1960 film.] There's no secret why this new version of Psycho exists. Redundant and unnecessary as it is, it will likely make money for Universal Pictures (a studio in dire need of a box office succe...

Psycho Killer is all about misdirection. It starts out as one thing and ends up someplace completely different. The first scene, a shot through the front windshield of a speeding car, offers up a grim aesthetic that is only amplified through the e...