ReelViews for R movies

In Private Life, writer/director Tamara Jenkins speaks as if from experience, capturing not only the precise technical details of her subject but accurately representing the roller coaster that is IVF. For those who haven’t gone through the ...

Will the real Howard Stern please stand up? For, in truth, the man who haunts the airwaves of nearly three-dozen radio stations each morning seems vastly different from the kinder, milder version who graces the screen in Betty Thomas' sweet, often...

The career aspirations of Mathilda (Natalie Portman) aren't those of the average 12-year old girl. Instead of wanting to be a doctor, fashion model, teacher, lawyer, or nuclear physicist, Mathilda has decided to follow in the footsteps of her best...

A combination of fanciful conjecture and historical fact, Professor Marston & the Wonder Women represents not only a historical primer on sexual repression during the first half of the 20th Century but unlocks the code to “understanding” wh...

There’s something distinctly off-putting about Johnny Depp’s dying-from-cancer movie, The Professor (original title: Richard Says Goodbye). It has to do with the idea that someone, once given a death sentence resulting from metastatic lun...

Profile belongs to a burgeoning genre of low-budget films that have collectively been dubbed “screenlife” movies. The natural successor to “found footage” productions, these narratives are presented entirely on a faux computer screen, ...

Underwritten yet nevertheless enjoyable on a visceral level, Project Power is the latest Netflix film to use a familiar template: start with an intriguing premise, sign a bankable star (or two), employ an exotic (or at least non-standard) locat...

The moral of this story is: No matter how trustworthy he may be, never leave a teenager home alone while you go away for the weekend. Project X purports to offer a new twist on a very old tale: the out-of-control house party. Variations of this ...

In 1979, science fiction was thriving, but the movie community, becoming gorged on lightweight space opera fare like Star Wars, was unprepared for what Ridley Scott delivered with Alien, which was as much horror as it was sci-fi. Since the iconic x...

It's easy enough to label Promised Land as the "anti-fracking movie" because, ultimately, that's what it becomes. Before the overtly political, sloppy ending, however, there are some interesting dynamics at play here about how corporations operate ...