ReelViews for R movies

Back in mid-'90s, director Curtis Hanson was known as a B-list filmmaker - someone who could cull a fair amount of tension out of workmanlike stories such as The Hand That Rocks the Cradle and The River Wild. All of that changed in 1997, however, ...

On the one hand, The Wonder is a fascinating examination of the war between the sacred and the scientific. On the other hand, despite its strong sense of atmosphere and an intense performance by lead actress Florence Pugh, it’s strangely uninvol...

Wonderful World feels like a modern-day half-baked riff on Charles Dickens' A Christmas Carol. Despite a film festival pedigree (it was shown at a number of local festivals on the 2009 circuit), the movie is so lightweight and inconsequential that ...

There's no nudity whatsoever in James Cox's Wonderland, which is ironic, since it's about events from the life of the first big-time porn star, John Holmes (Val Kilmer). Unlike Boogie Nights, which was loosely based on the rise and fall of Holmes d...

Note: This review contains spoilers. If you wish to have a virgin movie-going experience, return to the review after having seen the film. For obvious reasons, there aren't many movies about pedophiles or pedophilia. To date, the best-known of ...

If John Wick or Payback is a gourmet burger, A Working Man is a Big Mac. A little tacky and neither nutritious nor memorable, the fast food staple nevertheless satisfies a craving while offering a helping of ephemeral, guilty pleasure. This film d...

The World's End represents the conclusion to the so-called "Three Flavours Cornetto Trilogy" from the creative team of Edgar Wright, Simon Pegg, and Nick Frost. Finding linkage between this film and its predecessors, Shaun of the Dead and Hot Fuzz,...

Death was once considered the great equalizer. These days, it's the best way to reconstruct a damaged reputation. Lionizing the dead isn't just a cottage industry; it's universal. The sins of the living are washed away in death, leaving behind a ...

After scoring big with his live-action adaptation of Aladdin for Disney, Guy Ritchie returns to more familiar territory with Wrath of Man, an English-language remake of the 2004 French revenge thriller, Le Convoyeur. Accompanying him on this b...

The film with the loudest buzz at the 2008 Toronto Film Festival was Darren Aranofsky's The Wrestler - quite a change for the man who brought The Fountain to the same venues a couple of years ago to almost universal indifference. The Wrestler, on ...