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Like Steven Spielberg with The Fabelmans, Sam Mendes has plundered his own memories of movie theaters to form the backdrop of Empire of Light. Mendes, however, lacks Spielberg’s deftness of touch. Although the scenes transpiring within the Empir...

In recent years, the two animation studios working under the Disney umbrella have been making a concerted attempt to shake free of their reputation as a White Princess Factory. The result: a pipeline of features populated with diverse casts – Coc...

Once upon a time, Disney was the king of animation. Today, in the realm of CGI and 3D, they remain at the top only by virtue of a partnership with Pixar. Hand-drawn animation - the kind responsible for many of Disney's most beloved classics - is ...

Michael Apted is one of those rare, versatile filmmakers who can make mindless Hollywood blockbusters and thoughtful independent productions with equal aplomb. Apted's resume is as impressive as it is diverse, and has included a handful of critica...

Enron: The Smartest Guys in the Room is truly a tale for our time. Today, Corporate America may pay lip-service to the term "ethics," but the men and women at the top don't understand or care about the definition. There's only one word that means...

Anton Fuqua’s sequel to The Equalizer fits right in with the version of Robert McCall (Denzel Washington) he introduced four years ago when he updated the ‘80s TV series for big screen consumption. This new Equalizer was more brutal than i...

The Equalizer 3 is being advertised as the conclusion of a trilogy, although it’s really just a “more of the same” sequel, which can be a good thing for those who enjoyed the first two installments. Director Antoine Fuqua and star Denzel Was...

When The Equalizer arrived on television in the 1980s, it was notable for two things: being the first Reagan-era show to lionize vigilantism and presenting an "advocate" who broke the Curtis Sliwa-inspired stereotypes. Edward Woodward's Robert McCa...

The cinematic landscape of early 2000 is littered with the carcasses of disappointing dinosaurs presented by respected, or at least recognizable, filmmakers: John Frankenheimer and ...

[This review could be considered “spoiler-ish.” No specific reveals, but a lot of general hints.]For roughly the first 75 minutes of Escape Room, I thought I had uncovered the rarest of rare finds: a good January movie. Alas, the film isn’...