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"Why does a dog wag its tail? Because the dog is smarter than the tail. If the tail was smarter, it would wag the dog." Hollywood and Presidential politics - perfect together. Anyone who doubts this simple maxim will face a challenge to their...

As coming of age stories go, Wah-Wah does little to distinguish itself. Based on the memories of actor-turned-director/writer Richard E. Grant, the bland film loses its focus early during the proceedings and never gets it back. With the late 196...

After a short three-year hiatus, filmmaker Richard Linklater (whose previous outing was The Newton Boys) has returned to the world of cinema with the offbeat and ambitious Waking Life, an animated excursion through the dreams and philosophical musi...

One phrase - perhaps the best-known one from any 1987 release - encapsulates a critical component of '80s culture that once again crept to the fore in the late-'00s. I am, of course, referring to Gorden Gekko's "Greed… is good." A vice transfor...

Over the last 20 years of his career, Steven Spielberg has often coupled a crowd-pleasing would-be blockbuster with a more serious-minded project. Thus, in 1993, he released Jurassic Park in tandem with Schindler's List. In 1997, there were The Los...

The primary draw for Water for Elephants is the pairing of Reese Witherspoon and Robert Pattinson (ignore the ten year age gap) in a love story based on the best-selling novel by Sara Gruen. Sadly, passion and romance are two ingredients missing fr...

We Are Your Friends is presented in three very different acts. The first is at times fresh and inventive, with playful elements that enliven the narrative. The second is solid but familiar. The third is meandering and strangely unsatisfying, even tho...

Although Where’d You Go, Bernadette suffers from an ungainly structure and uneven pacing, the production as a whole is engaging and uplifting. This is due in part to the strength of the cast but also owes something to director Richard Linkla...

Love in tennis doesn't have to be bad, as Richard Loncraine's Wimbledon shows. A formulaic motion picture that delights in spite of (or perhaps because of?) its reliance upon conventions, Wimbledon is the kind of movie that allows the non-cynical ...

Anyone who has seen either Sicario or Hell or High Water, the two previous scripts credited to writer/director Taylor Sheridan, should have a good idea what to expect tonally from Wind River. Sheridan doesn’t write happy, escapist fantasies...