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Cowboys & Aliens is a mashup of a mediocre Western and a mediocre science fiction story. The resulting film is far better than the sum of its two seemingly disparate parts. Although a little overlong, the production will find favor not only with l...

Uh-oh, this doesn't look promising. Oh, wait a minute, the movie hasn't even started yet. As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality ...

When I was growing up in the 1970s, the Looney Tunes characters were popular. Every kid knew the names of Bugs Bunny, Daffy Duck, Porky Pig, Yosemite Sam, Elmer Fudd, Foghorn Leghorn, and, of course, Wile E. Coyote (Super Genius) and his nemes...

The setting of Cracks - an elite British all-girls boarding school during the 1930s - is a classic exploitation film locale. For her feature debut, however, Jordan Scott (daughter of Ridley, who co-executive produced the film along with his brother...

There's not much of a mystery about what Crank delivers. As promised, it's 85 minutes of action, with little in the way of encumbrances like dialogue and exposition, and only skeletal fragments of a narrative to keep things moving. For the most p...

Crank 2: High Voltage is the freak show act at a carnival. It's so over-the-top that the phrase ceases to have meaning in this context. It's a bizarre concoction of testosterone, adrenaline, and psychedelics. It seeks not only to top its predece...

Ensemble features can be daunting, yet some filmmakers embrace the challenge, and their results reward an audience. A lot of characters are woven into the tapestry of Crash, the feature directing debut of TV veteran Paul Haggis. (Haggis was also O...

Crawl is an old-fashioned B-grade monster movie made with 2019 technology. In short, that means plenty of gore and jump-scares to go along with creatures that no longer look like puppets or men in rubber suits. Jaws kept the shark hidden for m...

The Crazies, which is based on the 1973 George A. Romero film of the same name (Romero gets an Executive Producer credit for this one), continues the trend of recent films to delve into apocalyptic scenarios. Granted, in this case, it's just a smal...

Crazy Heart is the country music version of The Wrestler: a grizzled veteran whose days in the spotlight are behind him struggles to keep going while seeing the world through a haze of regret and booze. The story is unremarkable; the alcoholic com...