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Criminal is an English-language remake of the little-known (at least in these parts) Nine Queens, a 2000 film from Fabian Bielinsky. First-time director Gregory Jacobs and his co-writer, "Sam Lowry" (actually a pseudonym for Steven Soderbergh), ha...

Crimson Peak works as an homage to 19th century gothic literature. Beyond that mission statement, however, it has trouble gaining traction. Although the film may hold a certain appeal for those who have spent long hours thumbing through the pages of ...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

The Critic transpires during a time when critics (in this case, theater critics) wielded enormous power. A review in a daily newspaper could ruin a reputation, close a play, or elevate something from obscurity to prosperity. The film occurs in 193...

Animated films come in three flavors: childish cartoons that are designed primarily to appeal to the under-10 crowd, middle-of-the-road efforts that at least make an attempt to entertain parents while never threatening established envelopes, and ...

Crossing Over is Wayne Kramer's Crash-inspired look at the world of immigration in Southern California. Like Paul Haggis' Oscar winning film, this one is replete with coincidences and contrivances but, unlike Crash, it also features too many insta...

One of many things that can be said about director Ang Lee is that he's not afraid to take a chance. The Taiwanese-born director has embarked upon such diverse projects as Eat Drink Man Woman (about family relations and the clash of old and new va...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

Three things made Dangerous Liaisons, the 1988 Stephen Frears/Christopher Hampton collaboration, one of the best films of the decade: tremendous dialogue, an intriguing and Machiavellian plot, and top-notch performances (excepting Keanu Reeves). ...

Taking a page out of the Maleficent handbook, Disney has decided to take another of its iconic villains – in this case, Cruella DeVil – and provide her with an origin story that recasts her as a misunderstood victim rather than one of the ...