Search for 1999

Pushing Tin, from acclaimed British director Mike Newell (Four Weddings and a Funeral, Enchanted April), is the latest example of a movie that wastes a strong cast on a lame script. The film, billed as a dramatic comedy about the lives of air traf...

Most Civil War films - and there have been quite a few over the years - have a tendency to skew their perspective towards the Northern viewpoint. It's not hard to understand why - the old South may have been North America's final refuge for a gent...

For years now, there have been discussions about a sequel to the surprise 1990 romantic comedy blockbuster, Pretty Woman. Aside from once again propelling Roy Orbison's title tune up the pop charts, that film had the distinction of establishing Ju...

See if this sounds familiar... A hot, young hunk bets his friends that he can turn any girl into a prom queen, and the friends pick out the geekiest girl in the school. The boy contrives a story to meet her, then starts to hang out with her, but,...

With his third feature effort, writer/director M. Night Shyamalan has taken a huge step in the wrong direction. After showing great strides of maturity between his ineffective debut, Praying with Anger, and 1998's appealing Wide Awake, Shyamalan h...

Tim Burton's Sleepy Hollow is as stylish and atmospheric as any motion picture to arrive in theaters this year. Unfortunately, those aspects are its lone strengths. The film suffers from tepid performances, feebly drawn characters, and a meanderi...

When George Lucas first conceived the idea for Star Wars, it was just a movie. Over the course of 22 years, it has grown into a full-blown phenomenon - an event that gives promoters orgasmic shivers and makes theater employees wish they could take...

Not since the days of Bond-mania in the early 1960s had the release of a movie been as anticipated as the first of George Lucas' Star Wars prequels. Before The Phantom Menace reached screens, Lucas was geeks' Golden Boy and the term "pre...

Stir of Echoes belongs to one of the oldest genres of horror films: the ghost story. And, unlike a multitude of subpar entries that have borne this appellation over the years, it's mostly effective. Like all good ghost stories, it understands tha...

David Lynch's body of work is surely one of the most recognizable of any living director. From the nightmarishness of his debut, Eraserhead, to the bleakness of Blue Velvet to the bizarrely compelling quality of his TV series, "Twin Peaks," Lynch ...