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Perhaps the most surprising thing about The Adjustment Bureau is that, irrespective of the misdirection of the trailers and T.V. spots, this is more of a romance than a science fiction thriller. That's not to say the Twilight Zone aspects of the mo...

Admission is a serviceable, sporadically entertaining motion picture that has been aggressively developed for mainstream consumption. Infused with an almost relentless blandness, it's defined by soft comedy (a few laughs here and there), flaccid dr...

Adrift, like many competently-crafted survival films, chronicles the ultimate underdog bout: Human against Nature, where the odds are stacked against the former by the sheer power of the latter. Most survival tales come with a “based on a tr...

Had The Adventures of Tintin been a live motion picture rather than a motion capture-driven animated endeavor, it would have been compared to Raiders of the Lost Ark and Pirates of the Caribbean. As it is, however, with the cartoonish characters se...

I'll never understand why studios sometimes choose to withhold films from critics. The lack of advance screenings of Aeon Flux establishes an expectation that the film is likely to be tough to sit through. It's the studio's way of throwing in th...

For as long as humans have existed, the bravest of their number has sought to explore boundaries and expand vistas. Whether the New World, the Arctic and Antarctic, the peaks of great mountains, the bottom of the ocean, or the vastness of spac...

Writer/director Paul Schrader has always been fascinated by the line between sanity and madness, and what it takes to push a man over the edge. This theme stands out in two of Schrader's best known scripts, Taxi Driver and Raging Bull, both of whi...

Over the course of a 26 year career that encompassed more than 75 movies, Humphrey Bogart made only five color films. The first and most respected of those was 1951’s The African Queen, the last of five pictures he made with his good friend,...

The sad truth about After Earth is that not only is it difficult to find things it does well, but there are numerous examples of outright incompetence dotting the landscape. Outside of some nice visuals, it's impossible to find a reason to recommen...

After the Wedding is a throwback of sorts – a return to the days when a common reason for creating a remake was to take a foreign language film and translate it into English. For this project, writer/director Bart Freundlich has turned to Su...