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Gone Baby Gone is powerful stuff - a movie that derives its plot twists from moral conundrums rather than from narrative sleight of hand. The best mystery novels are the ones that use the genre as a stepping-off point for developing characters and...

Early every autumn, there's one excellent studio movie released - a way to kick off the Oscar race and remind adult viewers that it's still possible to find intelligent, compelling movies in theaters. In 2014, that film is Gone Girl, Gillian Flynn...

Last week, the American Film Institute released its list of the 100 best American films of all time. Not surprisingly, Gone with the Wind placed in the Top 10 (#4, in fact). However, although this epic romantic melodrama is undoubtedly one of...

Over the years, the tendency when incorporating Nazis into movies has been to use them as the kind of diabolical villain with whom it's difficult (or at least uncomfortable) to sympathize. The concept that there might have been Nazis in Germany du...

The Good Dinosaur, although an adequate family film, lacks qualities that have made many of Pixar’s previous productions classics. Less a major animated effort than a late-autumn “filler”, the movie offers enough to enthrall childre...

The Good German, Steven Soderbergh's film noir homage, is nearly perfect when it comes to style and tone, but it concentrates so single-mindedly on the mechanics of the narrative that it loses sight of its characters. The movie meticulously steps ...

A film like Good Luck Chuck makes one appreciate what Judd Apatow has accomplished with his films The 40-Year-Old Virgin and Knocked Up. All three pictures belong to the "raunchy romantic comedy" genre, but Apatow has achieved something impressive...

A Good Man in Africa, based on William Boyd's novel of the same name, is supposed to be a biting satire on the colonial attitudes of British subjects. The problem with the film is that it's frequently more tedious than funny. The story -- tha...

The Good Nurse is what it appears to be: yet another of those true crime movies that Netflix churns out with regularity. The only difference between this and another of the limitless similar films in the streaming giant’s library is that this on...

Although a serviceable thriller, Good People suffers from the disconnect that exists between its narrative structure and its pacing/tone. The "feel" desired by director Henrik Ruben Genz (making his first English-language feature after compiling a...