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When contemplating a musical, whether it’s a Hollywood classic, an original screen creation, or a stage-to-movie adaptation, there are two key considerations. The first is that the film has a story worth telling and that its raison d’etre ...

In the Land of Women is enjoyable for a movie in which pretty much nothing happens. The things that occur during the course of Jonathan (son of Lawrence) Kasdan's debut feature are all subtle and character-based. This is the sort of motion pictur...

The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema. This image is so blatant and cheesy that it makes one wonder whether director Paul Haggis’ succes...

Undoubtedly, some reviews are going to describe Inception as confusing. Such a description confounds me, and may be more indicative of how accepting people have become of screenplays that allow for no ambiguity and traverse plotlines by blazing tr...

When I watch a comedy like The Incredible Burt Wonderstone, I find myself wondering whether plot and character development should be considered in an evaluation of the production. After all, the movie has been made with the intention of making peop...

Under the control of a different director, The Informant! might have been a reasonably straightforward thriller. With Steven Soderbergh at the helm, however, this has become a whimsical, semi-comedic romp, complete with a score by Marvin Hamlisch ...

At first glance, Inherent Vice might seem to be a detective story. Look a little closer, however, and it becomes clear that this is Paul Thomas Anderson's idea of a comedy. There's slapstick, lowbrow material, and enough strange characters an...

With a premise as potentially rewarding as that of Inkheart, one can be forgiven for being a little disappointed by the final result. When placed alongside other PG-rated fantasy adventure tales, this one struggles to capture the imagination. Par...

If The Intern had confined itself to the unlikely relationship that develops between thirtysomething entrepreneur Jules Ostin (Anne Hathaway) and seventy-year old retiree Ben Whittaker (Robert DeNiro), it might have worked. Unfortunately, writer/dire...

Francis Ford Coppola's Dracula. Mike Nicols' Wolf. Kenneth Branagh's Frankenstein. Suddenly, horror of the old genre (as opposed to the '80s slasher flicks) is back with a vengeance. The latest, and arguably the most ambitious, to enter this p...