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The A-Team represents the motion picture industry's male-oriented answer to such franchises as Sex and the City and Twilight. To combat the new wave of estrogen-powered movies, Fox has fallen back on a tried-but-true formula: the adrenaline-and-te...

Has the passage of 18 years and the removal of Michael Bay from the director’s chair revived or redeemed the roadkill represented by the previous Bad Boys sequel? To a certain extent, yes, but only when one considers that the third installme...

It’s fair to ask what new things Eli Roth and Bruce Willis bring to Death Wish that the original, made in 1974 with Charles Bronson, didn’t have. The answer is: not many. Rather than using this as an opportunity to provide a deeper dive in...

Despite the “based on a true story” label, Deepwater Horizon is structured not so much as a fictionalized chronicle of actual events as it is an old-fashioned disaster movie. Although the genre has recently been overrun by apocalyptic sce...

Some would argue that the best way to see Alaska is through the images captured by an expert photographer. As breathtaking as the views may be, the climate can be unforgiving, with weather, terrain, and fauna that might give even notable survival e...

The Kingdom is a police procedural with a unique - and interesting - twist. While the movie employs all of the investigative techniques we have become familiar with as a result of countless TV shows, there's a little more to this movie than CSI: Sa...

Lions for Lambs is one of those movies in which the principals talk a lot but don't say much. The film is built not upon characters and plot but upon ideas. That would be fine if the ideas were revolutionary or interesting, but they're fairly com...

The generic cop movie has become such a tedious bore that when something like The Departed comes along, it injects energy into a genre that, over time, has lost momentum to a dried-up wellspring of creativity. Even as recently as the '80s, when Di...

Smokin' Aces is Tarantino lite - a vague and unsuccessful attempt to bring together a bunch of offbeat, unrelated characters in a situation where a bloody resolution is inescapable. Like an absentminded chef, however, writer/director Joe Carnahan ...

The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...