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Despite the allusion in the title, Guess Who is not a remake of the classic Guess Who's Coming to Dinner. In fact, other than borrowing the underlying premise (girl brings home boyfriend of a different race to meet her family), there are few simil...

"Presenting the play uncut has allowed the characters to reveal even more, and we discover extra details about them which are usually lost on stage. The political situation becomes clearer, and Hamlet is revealed as a knowledgeable man of the thea...

Hancock is a hodgepodge of intriguing ideas that, if developed further or presented as more than throw-ins to a confused production, might have made for a unique superhero film. The resulting movie, however, shows all the signs of studio interfere...

Let me start out by saying that my four-year-old daughter liked the film considerably more than I did, which probably says all that needs to be said about Harold and the Purple Crayon. Like the book from which it gets its name and inspiration, the...

Hellboy is director Guillermo del Toro's second venture behind the cameras for a comic-book themed motion picture. However, although the hyper-stylized setting and kinetic action sequences share a kinship with those in Blade 2, Hellboy showcases a...

Here Comes the Boom is a mash-up of two popular genres: the sports movie and the teacher-making-a-difference movie. Strangely, this is not the first time we've seen this. 2011's vastly superior Warrior told a similar story but, in the case of Here ...

Hitch is a pleasant, if slightly overlong, romantic comedy from two men who have forged reputations in the genre. Director Andy Tennant is no stranger to love stories, having previously helmed Fools Rush In, Ever After, and Sweet Home Alabama. And,...

The Holiday is no vacation. Sloppy writing, an overindulgent editor, and poor casting have taken an intriguing premise and transformed it into an uneven mess. The movie follows the lives of two women at Christmastime who trade houses. One story,...

It is my fondest dream that some day filmmakers will realize that great visual effects do not by themselves equate to a worthwhile motion picture experience. However, until that state of cinematic utopia arrives, audiences will be forced to endure...

Hope Springs has the unusual distinction of providing a sample of what an Ingmar Bergman movie might be like if made for mass American consumption. The production leavens the painful psychological introspection that defined the Swedish director's b...