Search for David Koepp

When Jurassic Park was released in 1993, it set a new standard for state-of-the-art visual and audio effects. It was suddenly possible to see humans and dinosaurs interacting in a way that had never before been possible, and to feel the entire theat...

The first star vehicle of the summer of 1996 is also the first major disappointment of the season. Mission: Impossible, the big screen resurrection of the popular late-'60s/early-'70s series, fails to generate much in the way of excitement or ...

When Universal Pictures remade The Mummy in 1999, they wisely opted for a radically different tone, shifting from the atmospheric horror of the 1932 original to a Raiders of the Lost Ark-style adventure motif. Now, for the third major film to b...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

It comes as a bit of a surprise that, for consistently suspenseful chase sequences, the pick of the 2012 summer crop is the under-the-radar thriller from writer/director David Koepp, Premium Rush. The average chase, filmed with the traditional sele...

Recent times have been good to Marvel comics, and the long-anticipated arrival of Spider-Man represents the latest step up the ladder. Long the underdog in the motion picture arena, Marvel has at last been able to catch up to rival DC comics by pl...

Stir of Echoes belongs to one of the oldest genres of horror films: the ghost story. And, unlike a multitude of subpar entries that have borne this appellation over the years, it's mostly effective. Like all good ghost stories, it understands tha...

The Trigger Effect, a psychological thriller from David Koepp, opens with an image of coyotes tearing at a dead carcass. An electrical power plant stands in the background. It's a visceral, unsettling scene, and you'd have to be more than a littl...

There's a longstanding movie riddle that asks the following question: Is it better to have a mediocre director and a great screenplay, or a great director and a mediocre screenplay? War of the Worlds, Steven Spielberg's entry into the 2005 summer...

As a writer by trade (at least before he started directing), David Koepp should know that a good ending is at least as important as a good beginning, if not more so.  You Should Have Left, a haunted house movie that doubles as an homage to St...