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The Change-Up has designs of being the next big raunchy comedy of the Summer of 2011, following on the heels of Bridesmaids, The Hangover Part II, Bad Teacher, and Horrible Bosses. However, while there's sufficient profanity, sex, nudity, and excre...

Clint Eastwood's Changeling falls into a common trap: by trying to do too much, it accomplishes too little. If the film feels overstuffed and poorly focused, that's because the screenplay, credited to Babylon 5 creator J. Michael Straczynski, atte...

I'm not a Zac Efron hater; I thought he did a solid job in Me and Orson Welles, a film that showcased his ability to act when given the opportunity. However, in Charlie St. Cloud (as in his previous outing for director Burr Steers, 17 Again), Zefr...

It's a curious thing. Whenever this much talent is assembled for a motion picture, the result inevitably seems to be a letdown. And to say that Charlie Wilson's War is topheavy with talent is to understate the matter. The cast features three Osc...

Children of Men, Alfonso Cuarón's adaptation of the P.D. James novel, takes a look at England in an apocalyptic near-future, when standards of law and order have broken down and the country is ruled by a fascist dictator. The movie is set in 2027...

With a title like The Chronicles of Riddick, one can assume that David Twohy's movie comes with lofty aspirations. Indeed, there are hints of a complex, involving story here. Unfortunately, too many of the nuances are drowned out by incessant, re...

Consider Cinderella Man to be a Depression era Rocky. While that may at first seem like a glib way to describe Ron Howard's rags-to-riches boxing drama, a careful examination of the storyline reveals numerous similarities between this drama and Sy...

Is it too much to ask that a narrative film have a beginning, a middle, and an end? Apparently in the case of Cirque du Freak: The Vampire's Assistant, a loose adaptation of Darren Shan's Vampire Blood trilogy, the answer is "yes." Developed with...

In terms of content, if not style, Coal Miner’s Daughter would fit with the spate of musician-related biopics that have dotted the recent landscape. And, although central figure Loretta Lynn (Sissy Specek) never had the same kind of Billboard To...

The “so bad it’s good” tag often applied to co-called “cult classics” is as elusive a categorization as there is in cinema. Most of the time, it evolves organically from the failure of a movie. Planning campiness is more apt to result in...