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If nothing else, The Bourne Ultimatum represents the best of 2007's inordinately high number of so-called "threequels." Hopefully, that's not damning with faint praise. The Bourne Ultimatum, the third in the movie trilogy loosely based on Robert...

Note: If anyone cares, there's a reference in the next-to-last paragraph that enters spoiler territory. As in end-of-the-movie spoiler territory. For the laughably bad debacle that is The Boy Next Door, I won't necessarily blame credited w...

Terry Gilliam's Brazil is one of those films whose enduring reputation is based at least in part on events surrounding its stormy distribution history. Taken at face value, Brazil is a stinging, Strangelovian satire of the power of the bureaucracy...

No matter how compelling and intriguing a real-life story may be, it doesn't necessarily translate into an equally compelling and intriguing motion picture. Breach is a case in point. Based on the widely publicized case of turncoat FBI agent Robe...

If you have a powerful desire to see Jennifer Aniston's bare butt, The Break-Up is not to be missed. But if the former Mrs. Pitt's posterior isn't high on your list of sights to see, the film is better left to unspool in theaters unviewed. The Br...

When it comes to movies, there are two things that the early-to-mid-1980s are best known for: slasher films and teen comedies. While the former category was hard-pressed to give birth to a vaguely watchable entry, quality was widely variable in...

The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...

One of the positive qualities often attributed to movies in which Judd Apatow claims involvement (here, he's listed as a producer) is that, beneath all the raunchiness and profanity, lies a core of sweetness. It's the Tootsie Pop philosophy of R-ra...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...

At some point, Universal Pictures apparently recognized that the fourth Bridget Jones chapter lacks an audience. As a result, instead of opening it in U.S. theaters, where it likely would have sunk without a trace, they pivoted and dumped it onto ...