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Had Back to the Future come to life as originally envisioned by the purse string-holders at Universal Pictures (which owned the rights to Bob Gale's screenplay), it might have been a very different project, with Eric Stoltz in the lead role. Stoltz...

At one time not all that long ago, Dreamworks Animation was churning out such exciting, well-loved projects as Shrek and How to Train Your Dragon. Of all the major studios, only they were able to challenge Disney on its home court. The Bad Guys...

Let me start this review off on a positive note. Battleship is in 2-D, not 3-D, so there are no issues with motion blur, low light levels, and general eye discomfort. There are some nice establishing shots of Hawaii; I might want to go there if I w...

A Beautiful Mind is a beautifully written, effectively acted, and meticulously crafted effort that is likely to remind many viewers of a simple axiom: a movie doesn't have to be groundbreaking to be compelling. Originality is a prized commodity beca...

Because I Said So is a made-to-order romantic comedy of the type "B" variety (that's the one where the heroine is torn between the socially and financially "ideal" guy and the one who really makes her happy). As I have previously written, a formul...

In the normal course of things, a sequel would be unlikely for a 14-year old film whose box office performance, while profitable, wasn't exceptional. (The Best Man, made for about $9 million, grossed north of 3.5 times that during its theatrical ru...

The Best Man is not what it initially seems to be. Despite starting out with all the earmarks of a fairly ordinary romantic comedy, the project develops into a surprisingly effective look at a man's quest for rebirth after events topple him from a...

Taking its clue from recent British imports like Brassed Off! and The Full Monty, Billy Elliot combines whimsy, comedy, and socially-conscious drama into a crowd-pleasing whole. Although neither revolutionary in its approach or subject matter nor ...

If all that mattered in movie-making was that the end result was pretty to look at, I would be giving Brian De Palma's The Black Dahlia a rave review. There's no denying the film's visual virtues: the cinematography, the set design, the costumes, ...

Watching Black Narcissus without an awareness of the year in which it was made might result in one concluding that it was the product of the 1960s. Many aspects of the production – from the storyline’s sexual undertones to the lush technic...