Movies in the Thriller genre

Steel, once a bulwark of American industrial might, was transformed over a short span of decades from a thriving commercial enterprise into a fossilized shell of its glory days. Once an engine of prosperity and a provider of reliable employment, it...

Apparently, it isn't enough for a plague to be the villain. A microscopic entity, "one billionth [human] size" with the potential of wiping out the population of the United States in 48 hours, doesn't represent a sufficient threat. Therefore, Out...

While watching The Outfit, a new film from director Graham Moore, I was reminded of the classic Sleuth – not in terms of specific plot points but in the way the film employs misdirection to increase the level of suspense, and also in the use of ...

One of the age-old questions about movies is whether a terrible ending can ruin an otherwise solid motion picture. In the case of Oxygen, the bad aftertaste from the contrived and unconvincing conclusion diminishes the experience but doesn’t...

P2 is a serviceable gore-minded thriller - a competent execution of a premise that ultimately becomes hampered by its inherent constraints. For about the first two thirds of the roughly 90 minute running time, this is a solidly made motion picture...

With a title like Pain & Gain and Michael Bay at the helm, this review looked like a great opportunity for a vitriolic screed, but that's not going to happen. Defying expectations, Pain & Gain not only represents one of the best movies Bay has made...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

Whatever else it may be cited for, The Paperboy, Lee Daniels' follow-up to Precious, is not going be called "the feel-good movie of 2012." An unsettling period piece mystery (the period being the late 1960s), The Paperboy is steeped in the so-calle...

I've seen movies like this more often than I'd like to admit: glitzy thrillers with less intelligence than a smart rutabaga where big-name actors pick up a paycheck while trying with limited success not to embarrass themselves and the studio keeps ...

Parasite opens with a stark reminder that the obsession with smartphones and handheld Internet-enabled devices is a worldwide phenomenon. It moves from a relatively sedate perspective of a family scrabbling to stay afloat in a society of high ...