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It’s said that the sports movie format works best when telling a true story. Director James Mangold, after having spent some time in the X-Men universe (he helmed both The Wolverine and Logan), has returned to the real world to direct two A-...

In many ways, The Forgiven feels like a CliffsNotes version of a longer, more complex narrative. But, even considering that numerous subplots might benefit from a mini-series approach to the material, the transformation of the central character is...

The Founder, which chronicles the takeover and elevation of McDonald’s by Ray Kroc (Michael Keaton), works both as a character study and an examination of how ambition, even when harnessed for the “greater good”, can result in innoc...

Frankenweenie is Tim Burton's animated remake of his live-action 1984 short of the same name. With its unabashed affection for classic monster movies and nods to Universal horror staples, Frankenweenie is almost certain to be beloved by fans of the...

What happens when you cross The Brothers Grimm with David Lynch, and throw in a little Quentin Tarantino for good measure? The result, or something very much like it, can be found in Matthew Bright's brilliant, incisive satire, Freeway, which upda...

The Frighteners isn't a bad film, but it is a disappointment. Following director Peter Jackson's powerful, true-life matricide tale, Heavenly Creatures, The Frighteners falls short of expectations by being just one of many in the long line of 19...

From Russia with Love, along with its successor, Goldfinger, represents Bond at his best. Although the series has run for more than thirty years with seventeen "official" entries, it has yet to better, or even equal, what it achieved in 1963-19...

The Full Monty is the third recent dramatic comedy to emerge from the United Kingdom to illustrate the effects of unemployment on the individual and the family. Like Brassed Off! and The Van, The Full Monty combines humor with light drama to e...

Funny Bones is anything but what the title suggests. As a comedy, this movie is a complete flop, with fewer laughs than the average mindless sitcom. As a drama, it isn't much more successful. Writer/director Peter Chelsom, who brought us 1992's ...

With a title like G.I. Jane, it would be easy to dismiss Ridley Scott's latest effort as exploitation fare. Such a reaction, however, would do the picture an injustice. On the other hand, the movie lacks the thematic depth that the film makers wo...