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In Lone Star, writer/director John Sayles (City of Hope, Passion Fish) cannily blends drama, romance, mystery, and social observation into a satisfying, if slightly overlong, whole. In the hands of a lesser film maker, this material could easi...

Looper is a tremendous motion picture experience. Not merely a "very good" one, but a great one. It delivers on all possible levels and its missteps are few and minor. It's a rousing science fiction/fantasy tale with a dose of hard-hitting drama, a...

"I am the Lorax. I speak for the trees. I speak for the trees for the trees have no tongues." Considering the brevity of the average Dr. Seuss book, it's no surprise that many of his best-known stories have been satisfactorily adapted into half-...

It's as easy to deride The Losers for not being what it isn't as it is to celebrate it for being what it is. An unapologetic B-grade feature, The Losers delivers most of what's expected from this sort of picture, with a few shortcomings. The one-...

Billy Wilder, one of the titans of cinema during the 1940s and 1950s, won his first Best Director Oscar for 1945's The Lost Weekend (he would go on to win another for 1960's The Apartment). Over a span of 21 years beginning in 1940 and concluding ...

When Jurassic Park was released in 1993, it set a new standard for state-of-the-art visual and audio effects. It was suddenly possible to see humans and dinosaurs interacting in a way that had never before been possible, and to feel the entire theat...

Here's a pleasant little romantic comedy that doesn't try too hard and has the virtue of doing a few things differently. Not that it breaks new ground, but there is a little more substance to the story than boy-meets-girl/boy-loses-girl/boy-gets-gi...

Love, Simon is, at it’s core, a crowd-pleaser about an “average” high school guy who finds love in the most unlikely of places. Part romantic-comedy, part coming-of-age story, it recalls the more innocent “high school” films of the p...