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Awake does too little with its Twilight Zone-inspired premise. After racing through the introductory segments, Mark Raso’s feature turns into a dystopian road movie (not unlike Greenland) with the characters traveling to reach a potential ha...

Babylon A.D. has the look and feel of a skeleton: an unfinished outline that whooshes by so fast that it becomes incomprehensible as its storyline and characters are lost in a flurry of fast cuts and poorly choreographed action sequences. The film...

In recent years, few things have been more certain than the guarantee of something delicious from director Pedro Almodóvar. Almodóvar has become like a trusted brand name - reliable and consistent. Unfortunately, with his new effort, called Bad E...

Spoilers: This review contains “non-specific” spoilers. Some readers may feel this reveals too much about the ending.For roughly two-thirds of its running length, Bad Samaritan shows potential as a nicely twisty thriller replete with Hitch...

"Belle Epoque is the story of Paradise: too good to last. It's about the discovery of life, but the real one, I mean: freedom, art, love, sex, friendship...all the things that make life interesting. It's an oasis... Maybe it's too idealistic, b...

From time immemorial, the experience of eating a good meal has been regarded as one of life's most hedonistic pleasures. In a recent survey, more than 50% of Americans indicated they would rather eat a memorable dinner than experience a night of u...

In the autumn of 1998, New Line Cinema opened Pleasantville, a thoroughly delightful fantasy about a couple of modern-day kids thrown back in time to a world of wholesome family values where everything is (literally) black and white. Now, less tha...

It has been said that one of the greatest fears expressed by human beings is to be suddenly struck blind - plunged into a blankness into which sound but no light can penetrate. Imagine this happening not to one person but to an entire population. ...

In this country, French movies are mostly known for being artistic and airy (or, to put it less kindly, serious and stodgy). And, while many French directors would probably agree that this is their aim (being artistic and airy, not serious and sto...

When it comes to movies, I am not a crusader. Rarely do I find the content of a motion picture objectionable on ethical grounds. Then again, films as morally repugnant as Captivity don't come along too often (thankfully). There is no requirement...