ReelViews for PG-13 movies

"Bond. James Bond." Once, those three words stood nape hairs on end for fans of the action/adventure genre. A lot has transpired since 1963 when Dr. No was brought to the screen, but Bond has been a great constant through all those years. One...

Quartet is as safe, conventional, and uncontroversial a film as one could imagine. The straightforward screenplay is elevated considerably by a series of sterling performances. If one wanted to bolster an argument about the importance of acting t...

With The Queen, Stephen Frears has at least two items on his agenda: to humanize the head of the British monarchy while at the same time indicating how far removed she has become from the concerns of her subjects. He also poses questions about the...

My review of John Krasinski’s 2018 A Quiet Place called the movie “a superb exercise in understated terror that puts to shame ‘horror’ films that rely on jump scares and cheap theatrics.” It was one of the best films of the year and ...

For movies like A Quiet Place – science fiction-based horror films that aren’t obsessed with appealing to the Blumhouse demographic – tone and atmosphere are the most critical production aspects. This is something Ridley Scott understood...

The prequel to John Krasinski’s horror/science fiction duo, A Quiet Place and A Quiet Place Part II, Day One offers a self-contained story that is different than the earlier films both in tone and intent. This is a moodier, more existential look ...

"Something changed with this [quiz show scandal]. It really marked the end of a period of innocence in our social history. No longer did people believe that what you saw on television was the truth... It may sound peculiar to us today that a...

It's difficult to pinpoint how R.I.P.D. fell into the rat-hole in which it exists. Is the problem the director? The screenwriters? Did the studio step in and sabotage the production team's creative vision? Regardless, in R.I.P.D., we have a legitim...

Numerous movies about grief miss the mark by a wide margin, sliding down a slippery slope of schlocky melodrama with overacting performers failing to convince us that their tears are real. Every once in a while, however, a film gets it right. In ...

Race doesn’t challenge our expectations of what constitutes a competent bio-pic. Opting for a straightforward telling of a (mostly) true story, the filmmakers have moved forward with an abundance of reverence. I’m reminded of 2013’s...