ReelViews for R movies

I think most people remember eighth grade, although rarely (I imagine) with a great deal of fondness. The blessing (and curse) of Eighth Grade is that writer/director Bo Burnham remembers it too. With this film, he accomplishes two things: cand...

Election becomes the first droplet in the recent deluge of teen comedies to score a palpable hit. In the wake of Can't Hardly Wait, She's All That, Never Been Kissed, and about a dozen others, Election arrives like a desperately needed cool breez...

Elegy, based on Philip Roth's The Dying Animal, provides an incisive perspective of how a person's inability to believe in love destroys a single, fragile chance at happiness. The movie tells the poignant tale of how one man - intelligent, urbane,...

The reign of Queen Elizabeth I of England began in 1558, when, at the age of 25, she succeeded her half-sister, Mary. Over the course of the next 45 years, Elizabeth established herself as one of the most popular and successful monarchs ever to ru...

When Paul Verhoeven took Hollywood by storm during the mid-1980s, he had been a successful director overseas for two decades. During his U.S. tenure, he produced a string of iconic films that remain in the consciousness today, including Robocop, Basi...

Elysium is a thoroughly entertaining science fiction/action spectacle that reinforces the argument that director Neill Blomkamp (District 9) has what it takes to enthrall audiences. However, I can't help but wishing this material had been given "th...

Emergency, the Waldo Salt Screenwriting Award winner at the 2022 Sundance Film Festival, gives viewers things to think about, which is an infinitely preferable alternative to the kind of film where it’s possible to sense the mass demise of brain...

Academics will argue about which of the Bronte sisters left the most important literary legacy. All three died young – Emily in 1848 at the age of 30, Anne (Agnes Grey, The Tenant of Wildfell Hall) in 1949 at the age of 28, and Charlotte (Jane E...

Like Steven Spielberg with The Fabelmans, Sam Mendes has plundered his own memories of movie theaters to form the backdrop of Empire of Light. Mendes, however, lacks Spielberg’s deftness of touch. Although the scenes transpiring within the Empir...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...