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Sahara takes the action/adventure story to new heights of preposterousness. In a way, that's not a bad thing, since it allows a certain level of guilty enjoyment. You're never expected to take anything in the movie seriously, because the characte...

Salt is more than mere seasoning; it's a full bouillabaisse comprised of bits and pieces of James Bond, The Manchurian Candidate, The Bourne Identity, TV's 24, and the Nelson DeMille novel The Charm School. What begins with a delicious appetizer, ...

There's something about an effective "man versus nature" film that gets the blood pumping. Maybe it's because the situation is often more dire than in a traditional thriller, or perhaps it’s the sheer implacability of the adversary, but the diffi...

The Santa Clause 2 is a worthy successor to the original 1994 film – that is to say, anyone under age 10 will be enchanted; anyone over age 10 will have trouble stifling their boredom. The movie has a laudable quality or two, but overestimating ...

You get what you expect with The Santa Clause 3. The two previous movies in the franchise have adequately prepared potential viewers for the experience of sitting through the third. The bland sameness of these films disallows the possibility of d...

This is what happens when someone takes what might have been a moderately-entertaining television Christmas special and tries to adapt it for the big screen. The Santa Clause isn't an unmitigated disaster, but it's also a whole lot less impres...

Nowadays, everything needs an origin story…even a TV show. Jason Reitman’s Saturday Night, which takes place in real-time during the night of October 11, 1975 in and around Studio 8H at 30 Rockefeller Plaza, mixes fact, fiction, mythology, and...

(Spoilers, but hey, it’s 40 years old!)Many movies look much different when watched years after their release but few have aged in quite the way that Saturday Night Fever has. When the movie first debuted in the winter of 1977, it rode the rising...

Savages is a drug-fueled crime delirium that doesn't break much new ground in the genre but offers a volatile concoction of violence, heroism, and amorality that is compulsively watchable. The director is Oliver Stone, a filmmaker often associated ...

Save the Last Dance, a movie about finding salvation on the dance stage, takes a little Pygmalion, a little Romeo and Juliet, and a lot of formula, wraps them up with a neat bow, and delivers a passably entertaining package. The film stumbles not ...