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Many times, it is possible to make a snap determination about a movie based on its trailer. Happily, in the case of The Emperor's New Groove, any such judgment is likely to be in error. That's because the trailer makes the movie seem like one of ...

In recent years, the two animation studios working under the Disney umbrella have been making a concerted attempt to shake free of their reputation as a White Princess Factory. The result: a pipeline of features populated with diverse casts – Coc...

Once upon a time, Disney was the king of animation. Today, in the realm of CGI and 3D, they remain at the top only by virtue of a partnership with Pixar. Hand-drawn animation - the kind responsible for many of Disney's most beloved classics - is ...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...

The problem with End of Watch, a gripping police drama, is director David Ayer's stylistic decision to shoot nearly the entire movie tripod-less. Or, to put it another way, there's a whole lotta shakin' going on. Much of End of Watch could almost f...

Ender's Game, long a staple of science fiction readers, has had a strange, winding trip to the silver screen. For many years, Orson Scott Card refused to sell the rights to the book, wanting to maintain control over the final product. This iteratio...

For those who have forgotten the depth of romance and passion that the movies are capable of conveying, Anthony Minghella's The English Patient can remedy the situation. This is one of the year's most unabashed and powerful love stories, using...

If I was looking for a single word to describe Enola Holmes, I’d probably settle on “charming.” That’s not because it features the best example of period-piece romance (although it shows signs of appealing to the rom-com crowd) or that...

Michael Apted is one of those rare, versatile filmmakers who can make mindless Hollywood blockbusters and thoughtful independent productions with equal aplomb. Apted's resume is as impressive as it is diverse, and has included a handful of critica...

Enough Said is a maddeningly uneven dramatic comedy from writer/director Nicole Holofcener, whose previous efforts have shared the tone and a few of the themes with this one. The film's dramatic underpinning and the way it addresses impending empty...