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At first glance, it appears that Braven might be more than what it turns out to be. The opening credits feature a montage of shots of the wilds of Newfoundland – images so stunningly beautiful that they would be at home in a nature documentar...

Watching Brian and Charles, I was stuck by an unassailable sense of déjà vu. The conversations between Brian (David Earl) and Charles (Chris Hayward) bear a startling resemblance to those I have with my 2 ½-year old daughter - exasperation coll...

With names like Spielberg, Hanks, and the Coen Brothers, it's hard not to be excited about a project like Bridge of Spies. Yet, although the workmanlike production is solidly engaging, it falls short of the loftiest expectations. It's worth s...

What potentially could have been the greatest asset possessed by Che - its unapologetic length - turns into its greatest detriment. One frequent complaint about cinematic biopics is that too much condensation is required and, as a result, key aspe...

James Wan is among the best horror directors working today. His filmography reads like a “best of” modern scary movies, and The Conjuring 2 is a worthy addition to the list. Although the successful box office performance of The Conjuring ...

Contact is likely to change a lot of perceptions -- not only about the role of humankind in the universe, but about what special effects can do for a movie when they're used in the service of a story, rather than the other way around. Contact...

Animated films come in three flavors: childish cartoons that are designed primarily to appeal to the under-10 crowd, middle-of-the-road efforts that at least make an attempt to entertain parents while never threatening established envelopes, and ...

The similarities between Daddy’s Home 2 and last week’s release, A Bad Moms Christmas, are striking. Not only are the two films sequels to successful first installments but they follow the similar template of bringing back the most popular...

For most superhero franchises, the third movie is a trap. It's there that the Tim Burton/Joel Schumacher iteration of Batman started its rapid descent. It's there that the Christopher Reeve Superman saga had the wheels come off. It's there that Sam...

Watching The Debt, I was reminded of how entertaining a well-executed Cold War thriller can be. Although elements of this movie, based on the 2007 Israeli film Ha-Hov, have a kinship to Steven Spielberg's Munich, the overall thrust is more in line ...