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Forget The Bonfire of the Vanities. With Mission to Mars, director Brian De Palma has reached a new nadir. Easily the worst movie to date of 2000 (although the year is still young...), Mission to Mars beats out such worthy contenders as Supernova...

The first star vehicle of the summer of 1996 is also the first major disappointment of the season. Mission: Impossible, the big screen resurrection of the popular late-'60s/early-'70s series, fails to generate much in the way of excitement or ...

Each of the three "official" Monty Python movies has its own distinguishing quality. The first, 1975's Monty Python and The Holy Grail, is arguably the funniest and (in some ways) the silliest. The last, 1983's The Meaning of Life, is the most un...

When Universal Pictures remade The Mummy in 1999, they wisely opted for a radically different tone, shifting from the atmospheric horror of the 1932 original to a Raiders of the Lost Ark-style adventure motif. Now, for the third major film to b...

What do Alistair Sim, Albert Finney, George C. Scott, Jim Carrey, Patrick Stewart, Bill Murray, and Michael Caine (among others) have in common? They have played the part of Ebenezer Scrooge in an adaptation of Charles Dickens’ A Christmas C...

If one had to classify My Date with Drew, it would fall under the documentary umbrella. A more honest appraisal, however, would be to call it "reality TV" for the big screen. After all, it has the same quintessential appeal: an "everyman" as the p...

With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrat...

Now begins a period of prayer for Eddie Murphy - he must pray that no one who can cast a Best Supporting Actor vote in the 2007 Oscar race will see Norbit, because no one in their right mind could think of providing an honor to anyone involved in t...

With Now You See Me, director Louis Leterrier has taken a page out of the book of his characters: use sleight-of-hand so viewers are distracted from some rather obvious screenplay deficiencies. By employing a fast-moving, high-energy approach that...

2013’s Now You See Me wasn’t just about showmanship and misdirection, it was showmanship and misdirection. Brought to the screen by the sure hand of director Louis Leterrier, this was a triumph of style over substance - a flashy, fast-pac...