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The Women is appropriately named. For its nearly 110 minute running time, there's nary a man to be found, not even in the background of crowd scenes. This movie takes place in the same world as Sex and the City, where there are only three things ...

The World's End represents the conclusion to the so-called "Three Flavours Cornetto Trilogy" from the creative team of Edgar Wright, Simon Pegg, and Nick Frost. Finding linkage between this film and its predecessors, Shaun of the Dead and Hot Fuzz,...

Death was once considered the great equalizer. These days, it's the best way to reconstruct a damaged reputation. Lionizing the dead isn't just a cottage industry; it's universal. The sins of the living are washed away in death, leaving behind a ...

How’s this for an alternate history scenario: What if tech companies had failed to identify or address the Y2K bug prior to 12:01 on January 1, 2000? I have always thought this concept might make for a fascinating movie. Sadly, that movie is...

Two weeks ago, I wrote that, while watching Land of the Lost, I felt a sense of depression. That feeling revisited me during Year One, an inexplicably unfunny comedy made by two people who have proven they can do much better: director/co-writer Ha...

At first glance, Yes Man appears to be yet another high-concept Jim Carrey comedy. After all, the premise can be summed up in a sentence: "A character played by Carrey in 'zany form' must say 'yes' to every proposal." Over the years, we have gott...

The term "Capra-corn" was coined for movies such as this one: feel-good endeavors that emphasize the better portions of human nature over the base, venal ones. With Capra, no matter how dark things got in the middle (and it's tough to get darker ...

Watching You Don't Mess with the Zohan is a little like watching an episode of the TV show of which Adam Sandler is an alum: Saturday Night Live. Zohan feels like an extended collection of skits tied together by a flimsy umbrella story. It feature...

Tom Hanks can act. You need look no further than this year's Saving Private Ryan for proof of that. Meg Ryan can also act. For supporting evidence, check out Prelude to a Kiss and Courage Under Fire. However, in Nora Ephron's latest romantic co...

By their nature, there is a predictable sameness to most romantic comedies. Armed with an "if it ain't broke, don't fix it" mentality, filmmakers venturing into this genre rarely attempt anything daring; they are, after all, courting an audience t...