Movies in the Drama/Comedy genre

It's a sad fact of the movie business that, as acting icons age, the opportunities afforded to them to ply their craft diminish. Fred Astaire spent time in The Towering Inferno. Jimmy Stewart climbed aboard Airport '77. Elizabeth Taylor spent time ...

In Private Life, writer/director Tamara Jenkins speaks as if from experience, capturing not only the precise technical details of her subject but accurately representing the roller coaster that is IVF. For those who haven’t gone through the ...

A Real Pain, the sophomore effort from actor/writer/director Jesse Eisenberg, combines elements of a mismatched buddy dramedy with a travelogue. The latter transforms parts of Poland from a setting to a character. In fact, there are times when the...

It has been nearly a decade since Woody Allen last made an enjoyable movie (that distinction would go to either 2011’s Midnight in Paris or 2013’s Blue Jasmine, depending on individual preferences). Since then, over the span of five feature...

Rules Don’t Apply is a strange, schizophrenic sort of movie. Despite moments of emotional strength and bursts of quirky comedy, the film is undone by its generally lethargic tone and the film’s insistence to shift its focus from the putat...

There are times when the story behind the making of a film is more interesting than the finished product. This is one of those occasions. The Rum Diary was written by Hunter S. Thompson in the 1960s but was not published until 1998, after actor Joh...

I don't want to call Richard Linklater a "sellout," since that's probably as unfair as it is unkind. But The School of Rock is clearly Linklater's attempt to develop some box office clout – something he has not achieved with critically acclaimed...

Someone could write a compelling thesis about humanity's obsession with the apocalypse. Over the years, the cinema has exploited this affinity, most often in disaster movies. Lately, however, there has been a trend toward end-of-the-world films tha...

Sing Street is John Carney’ Valentine to the people and places of his youth and the varied and oft-maligned music that defined the 1980s. Carney infuses the familiar framework of the “coming of age” story with songs and whimsy and a touc...

Why would a successful director like Stephen Frears (Dangerous Liasons, The Grifters, Hero) go from the relative security of Hollywood to the near-obscurity of Ireland to make a little film like The Snapper? Frears himself supplied the answer by...