Movies in the Horror/Thriller genre

The most interesting aspect of Resurrection comes from guessing how insane the main character is and whether anything she’s seeing is real. Still, those are primarily intellectual curiosities and I’m not sure how well they gel in feature lengt...

Barbarians starts out as a tense psychological thriller unfolding against the tableau of a not-so-friendly dinner before morphing into something decidedly physical and creepy. Yet the home invasion that flips the movie at the halfway point doesn�...

Master takes its inspiration from Jordan Peele’s 2017 feature, Get Out, which used horror as a framework for a deeper examination of systemic racism, but the methods employed by writer/director Mariama Diallo, making her feature debut, are less ...

Spoiler Alert: When it comes to a movie like “Fresh,” there’s a legitimate question of what constitutes a spoiler. A lot of it depends on how much a reader knows about the film prior to reading the review. Anyone who has been paying atte...

Last Night in Soho has a great hook and starts out looking like it’s going to do something compelling with that hook. Unfortunately, as is too often the case with promising horror films, this one devolves into a disappointing mess toward the...

My review of John Krasinski’s 2018 A Quiet Place called the movie “a superb exercise in understated terror that puts to shame ‘horror’ films that rely on jump scares and cheap theatrics.” It was one of the best films of the year and ...

Army of the Dead isn’t director Zack Snyder’s first dance with the undead. His feature debut, 2004’s Dawn of the Dead, had him remaking the George A. Romero horror classic. 17 years later, after spending a significant portion of his film...

It’s very difficult to kill a slasher film franchise. The existence of Spiral is proof that, no matter how many times you put down a series like this, it keeps coming back for more. The original Saw reached theaters in 2004 and, as I wrote i...

Antebellum, a Twilight Zone-ish thriller from the writing/directing duo of Gerard Bush & Christopher Renz, takes its time establishing itself as one thing before transitioning to something completely different. The non-chronological nature of ...

Aside from the title, the basic concept, and the use of the surname “Griffin,” Leigh Whannell’s “reboot” of The Invisible Man bears little resemblance to the 1933 classic Universal monster movie and even less resemblance to the 1897 ...