Movies in the Science Fiction genre

Planet of the Apes was arguably the first American science fiction franchise of the post-serial film era. In many ways, the Planet of the Apes series developed the blueprint used by many subsequent multi-segment science fiction endeavors (such as ...

This remake of the 1968 film, Planet of the Apes, has been on the drawing board for a long time. When it was first mentioned as a serious project (rather than just the figment of Apes fans' imaginations), the two prominent names attached to it wer...

Possessor (or, as it is sometimes being called, Possessor Uncut) is a science fiction/horror film from Canadian filmmaker Brandon Cronenberg. It can be fairly said that, at least in this case, the apple doesn’t fall far from the tree. Posses...

There are two ways that you can look at Kevin Costner's The Postman (not to be confused with the former Oscar contender of the same name, starring Massimo Troisi). The first is that it's a muddled but occasionally-brilliant lampoon of epic motio...

Predator is one of those tired franchises that Hollywood simply won’t give up on. Maybe a box office bonanza will justify Fox’s faith but this sixth entry in the series feels too much like a tired retread to be worth making a trip to a the...

Predators is Robert Rodriguez's attempt to re-invigorate (but not reboot) the Predator franchise, whose devaluation began with an ill-advised sequel, accelerated as a result of the poorly realized Alien vs. Predator, and bottomed out with the lifel...

Predestination is what is commonly referred to as a "mind-fuck" movie. A low-budget science fiction feature, Predestination has expectations of its audience related to attention span and concentration level. Whether or not the plot remains on solid...

Call Project Almanac a "shaky-cam special", and it's a damn shame. The resultant production, both shaken and stirred, transforms a potentially entertaining pulp time travel story into a misbegotten exercise in frustration. It takes what...

In 1979, science fiction was thriving, but the movie community, becoming gorged on lightweight space opera fare like Star Wars, was unprepared for what Ridley Scott delivered with Alien, which was as much horror as it was sci-fi. Since the iconic x...

For movies like A Quiet Place – science fiction-based horror films that aren’t obsessed with appealing to the Blumhouse demographic – tone and atmosphere are the most critical production aspects. This is something Ridley Scott understood...