Search for Picture

You know an animated film is doing something right when it brings tears to the eyes. Coco may not represent Disney/Pixar at its pinnacle but it’s close enough to the top to warrant consideration as the best computer-drawn film of 2017. Of cou...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...

If one was going to cite a movie title for truth in advertising, it might be James Mangold’s Bob Dylan bio-pic, A Complete Unknown because, at the end of the proceedings, it’s an apt description of the main character. The reason it clear: Mang...

Most of the time, I am irritated when a movie proclaims to be "based on a true story." In many cases, it's a gratuitous marketing ploy. For Compliance, however, it's useful information. Unlike many "based on true stories," this one closely follows ...

Con Air, producer Jerry Bruckheimer's generic follow-up to 1996's blockbuster, The Rock, is the kind of motion picture that critics refer to when they moan about the "dumbing down" of American cinema. This movie is a perfect example of what's wron...

Know, O Prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the sons of Aryas, there was an age undreamed of... Hither came Conan the Cimmerian, black-haired, sullen eyed, sword in han...

Regarding a concussion as a serious brain injury is a relatively recent phenomenon. For many years, “getting your bell rung” (as the expression goes) was something people were expected to shrug off. For sports, the fix was to take a coupl...

It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavis...

Since the release of Jurassic Park, Michael Crichton has become a Hollywood staple. Rights to each new novel are quickly optioned, and the resulting film is on the market as soon as ILM can get the special effects done. Congo is the fourth adapta...

For his follow-up to City of God, Brazilian director Fernando Meirelles has elected to adapt John Le Carré's The Constant Gardener into movie form. A slow-burn thriller simmering with international intrigue, the book would at first seem too long ...