Movies in the Thriller genre

With Cassandra's Dream, we may finally be seeing confirmation of what many have suspected for years: that Woody Allen's period of greatness as a filmmaker is over. A few years ago, Match Point provided hope that we might be observing a re-invention...

Three things occurred to me while watching Caught Stealing. First, it's the best work director Darren Aronofsky (Requiem for a Dream) has done since 2010’s Black Swan. Second, in addition to being set in the late 1990s, it embraces the indie film...

New Line Cinema faces a monumental feat in attempting to market The Cell, a decidedly non-mainstream serial killer thriller that has the sensibilities of an art film. Visually enticing and intellectually demanding, The Cell takes viewers deep into...

Cellular is a nearly perfectly executed "high concept" thriller, that, like Speed and Phone Booth, uses a gimmicky setup but is paced so relentlessly that you don't have time to dwell upon the obvious implausibility of the situation. (It should be...

For the better part of seven years, the Russo Brothers (Joe & Anthony) have been marooned in the MCU, crafting four films: Captain America: Winter Soldier, Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame. For their encore, ...

There's a skill to adapting a novel that not all filmmakers have. This is especially evident if a book is not inherently cinematic and requires more "massaging" to shape it into a form capable of fitting comfortably into a two-hour time...

Children of Men, Alfonso Cuarón's adaptation of the P.D. James novel, takes a look at England in an apocalyptic near-future, when standards of law and order have broken down and the country is ruled by a fascist dictator. The movie is set in 2027...

Chinatown is unquestionably one of the best films to emerge from the 1970s, a period that has been called the "last great decade of American cinema" by more than one movie critic. The production, which went in front of the cameras without a final ...

Since imprinting his name on the international indie box office with his mid-'90s one-two punch of Exotica and The Sweet Hereafter, Toronto-based filmmaker Atom Egoyan has been struggling to regain his footing. In one way or another, his last few ...

Thematically, James Ponsoldt’s The Circle (based on the novel by Dave Eggers) takes its cues from George Orwell’s 1984 and Aldous Huxley’s Brave New World. Grand aspirations, to be sure, and ones that are never truly met. From its beginn...