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The Girl with the Dragon Tattoo belongs to a rare genre: the literate motion picture murder mystery/thriller. (Coincidentally, I saw another good example, the Korean Mother, earlier in the week, but this one is better.) It unfolds not with the br...

The dark seeps out of the screen like living thing, evidence that The Girl with the Dragon Tattoo is more than a paycheck to director David Fincher, who has improbably affixed his own imprint on a movie that comes weighted down with possibilities a...

A companion piece in the truest sense of the term, The Godfather Part II garnered as much adulation as its predecessor, if not more. Receiving twelve Academy Award nominations, and again winning Best Picture (and this time Best Director for Coppol...

Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movie...

Frankenstein. The Old Dark House. The Invisible Man. The Bride of Frankenstein. Show Boat. Although this may sound like one of those "which doesn't belong" games, there is a common element to all five '30s motion pictures - they are the en...

For several entries, the series dubbed by Warner Brothers as the “Monsterverse” has been declining into Transformers territory. Godzilla x Kong marks the point at which that dreaded barrel-bottom has been reached. A numbing excursion into CGI ...

The Golden Compass, the long awaited cinematic adaptation of Philip Pullman's well-respected novel, is an adequate but not inspired translation of the source material. Writer/director Chris Weitz (one of the American Pie guys) brings a style that i...

If one was to judge The Goldfinch on the basis of John Crowley’s motion picture adaptation, confusion would be understandable about why the novel is so beloved and acclaimed. Even given ideal circumstances, Donna Tartt’s book, which relies...

With 1964's Goldfinger, the third James Bond story to reach the screen, the "Bond formula" had reached maturity. Screenwriter Richard Maibaum, a participant in the scripting of the previous two movies, Dr. No and From Russia with Love, had id...

Gone Baby Gone is powerful stuff - a movie that derives its plot twists from moral conundrums rather than from narrative sleight of hand. The best mystery novels are the ones that use the genre as a stepping-off point for developing characters and...