Movies with music written by Mark Isham

42 tells the (mostly) true tale of how Jackie Robinson (Chadwick Boseman) broke the Major League color barrier in 1947, becoming the first black player to appear in a Major League baseball game since 1884. Robinson's story is inspirational, and the...

The Accountant is a superhero movie. Despite not being based on an existing comic book (a welcome change), the film has all the beats and tropes we have come to expect from superhero movies, although the R-rating makes it more of an adult experience ...

When artistic and marketing impulses collide, you end up with an unwieldy title like Bad Lieutenant: Port of Call New Orleans. Director Werner Herzog's preferred name, Port of Call New Orleans, was deemed unsuitable by producer Edward R. Pressman,...

Bill & Ted Face the Music is a love letter for fans of the cult classic films Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. Designed with die-hards in mind, the concluding chapter of the trilogy brings back a few friendl...

If all that mattered in movie-making was that the end result was pretty to look at, I would be giving Brian De Palma's The Black Dahlia a rave review. There's no denying the film's visual virtues: the cinematography, the set design, the costumes, ...

It’s February. That means it’s time for cold weather and snow, groundhogs having their day, and Liam Neeson coming out with yet another kick-ass action/thriller. (Do not confuse the term “kick-ass” with “good” or even “watchable.”)...

Vampires. Few creatures of legend speak to human terror on a more fundamental level. Ever since the silent days of movies, when F.W. Murnau chilled audiences with Nosferatu, a creepy, atmospheric adaptation of Bram Stoker's Dracula, film-goers ha...

In the movie business, there's no such thing as "truth in titling." If there was, Bobby would be called A Bunch of Boring, No-Name, Cookie-Cutter Characters. Although that lacks the brevity and appeal of the real title, it's more illustrative of ...

The Cooler, as icy a title as you're likely to find, is about the efforts of one man to find his luck (or, to be more precise, some form of luck other than that of the bad variety). Rarely has a more pathetic individual been captured and portrayed ...

Ensemble features can be daunting, yet some filmmakers embrace the challenge, and their results reward an audience. A lot of characters are woven into the tapestry of Crash, the feature directing debut of TV veteran Paul Haggis. (Haggis was also O...