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Seemingly taking inspiration from Traffic, writer/director Nicholas Jarecki attempts to use a thematic connection (rather than a narrative one) to tie together three separate stories. (Although two of the segments intersect at the climax.) The...

Taking a page out of the Maleficent handbook, Disney has decided to take another of its iconic villains – in this case, Cruella DeVil – and provide her with an origin story that recasts her as a misunderstood victim rather than one of the ...

Dear John delivers pretty much what one would expect from an adaptation of a Nicholas Sparks novel: a high-profile downer of a Harlequin romance. There's a market for this sort of movie, which lays it on thick and does everything possible to make ...

When I finished watching Don’t Look Up, I couldn’t avoid asking the obvious question: How did this go so wrong? Despite a to-die-for cast and a seemingly can’t-miss premise, Don’t Look Up is a failure on too many levels and, although t...

Elegy, based on Philip Roth's The Dying Animal, provides an incisive perspective of how a person's inability to believe in love destroys a single, fragile chance at happiness. The movie tells the poignant tale of how one man - intelligent, urbane,...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...

Perhaps the most salient question to ask about England is Mine, an unauthorized, slightly fictionalized bio-pic of musician (Steven) Morrissey, is: who is the intended audience? Die-hard fans of Morrissey will most likely be disappointed by wh...

Michael Apted is one of those rare, versatile filmmakers who can make mindless Hollywood blockbusters and thoughtful independent productions with equal aplomb. Apted's resume is as impressive as it is diverse, and has included a handful of critica...

Call it Touched by a Demon. Gregory Hoblit's Fallen is a serial killer movie with an unusual, horrific twist. If marketed properly, this film could have crossover appeal for both those who appreciate supernatural tales like The Prophecy and those...

Feardotcom is a “ghost in the machine” movie, I guess. I can’t say for certain because the story is so confused and contradictory that it’s impossible to make sense of what’s going on. It hurts to search for logic in the wreckage of ...