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Low, gray clouds scud across the sky while the grass of a seemingly-endless plain ripples in response to the prompting of a spring breeze. Thunder rumbles in the distance. On another day, a bright sun gazes down on those same fields while cattl...

Rarely is New York merely a setting in a movie. Whether big, bright, and garish or dark and dingy, the city more often serves as a background character. And, although the New York of a Woody Allen film couldn’t be more different than the one...

People suck. Life sucks. And when you get to the top, you realize that everything is hollow and pointless. That sums up Bret Easton Ellis' philosophy as well as the central themes of the latest downer of a movie based on one of his novels. The ...

What were they thinking? Not only does the concept of re-imagining a campy Saturday morning TV show as a Will Ferrell "family-friendly" big-budget movie sound bad, it is bad. A turd of T-Rex proportions, Land of the Lost makes one remember last s...

As a romance, a drama, or even a sports movie, The Longest Ride never reaches a satisfying destination. With its confused, sometimes-contradictory themes and scattershot love story aspirations, the film never gains traction on the shifting sands of i...

A single phrase might be all that's necessary to review The Lucky One: "A Nicholas Sparks movie." Sure, Scott Hicks (Shine) is the director and Will Fetters (Remember Me) gets a screenplay credit, but the average movie-goer who settles into a theat...

If the score of Immortal Beloved is remarkable, that of The Madness of King George is no less so. With the clear strains of Handel's "Water Music" and "Zadok the Priest" in the background, The Madness of King George ascends to a level that it migh...

Movies about confidence tricksters represent an old, although not necessarily respected, sub-genre of the thriller. Many of these films are cheap and cheesy, with silly plots and "twists" that are shaky and predictable. There are a few notable ex...

Arriving in the latter half of the summer, Danny DeVito's Matilda beats out such worthy contenders as The Hunchback of Notre Dame and Harriet the Spy for best family fare of the season. In fact, I haven't enjoyed a so-called "children's film" this...