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12 Strong represents a recent war as depicted on screen in an old-fashioned way. Back in the 1950s and 1960s, war movies followed an established template that pitted the “good guys” (often Americans) against the “bad guys.” Such fi...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...

If I was to review Giuseppe Capotondi’s The Burnt Orange Heresy based exclusively on the film’s first half, I would have nothing to offer but raves. Unfortunately, the film’s final 30 minutes prove unable to deliver on the promise of the...

Calling Forrest Gump… Calling Forrest Gump… With The Butler, director Lee Daniels has managed to "Gump" the Civil Rights movement. That's not necessarily a bad thing but there are times when so many famous cameos threaten to become a distra...

If one was to judge Country Strong based solely on its misleading trailer, one might assume this to be a cliché-riddled Crazy Heart wannabe. And, although I will not argue that the whole cloth from which the story has been cut contains its fair sh...

The Critic transpires during a time when critics (in this case, theater critics) wielded enormous power. A review in a daily newspaper could ruin a reputation, close a play, or elevate something from obscurity to prosperity. The film occurs in 193...

In the terrorist-busting business, perception is more important than reality. That’s the thesis of Christopher Morris’ blistering black comedy, The Day Shall Come, and he delivers the message with the subtlety of a jackhammer. The most dis...

Historical epics are often met with mixed reactions from the masses. For every singular triumph like 300, there are many more disappointments. So it should be no surprise that producers, eager to fill cold seats with warm bodies, have returned to...

Far from the Madding Crowd, based on Thomas Hardy's fourth novel (and the first to have widespread success), is precisely what one would expect from a big budget adaptation of a Victorian classic: stately, beautifully photographed, impeccably act...

I will be surprised if this film does well in New York City. Yankees fans, accustomed to success, are still smarting from last year's humiliating debacle, and a romantic comedy that capitalizes on the Red Sox's triumph is unlikely to pack theaters ...