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Volcano is one of those films (like last year's Twister and Independence Day) for which it doesn't matter what I (or any other critic) have to say. Disaster movie junkies will go to get their fix; those who can't tell the difference between Th...

When I spoke to Roger Ebert shortly before first seeing Walk the Line, he remarked that he knew almost all of Johnny Cash's songs by heart. I cannot make the same claim. I'm familiar with a few of them - mostly those that got radio play - but many ...

One phrase - perhaps the best-known one from any 1987 release - encapsulates a critical component of '80s culture that once again crept to the fore in the late-'00s. I am, of course, referring to Gorden Gekko's "Greed… is good." A vice transfor...

There are times when iconic characters should be left alone to bask in the glory of a single appearance and, unfortunately, that's the case with Gordon Gekko. The supremely charismatic, magnetically villainous central figure from Oliver Stone's 19...

Always save the best for last…that’s not a phrase many movie series adhere to. It happens occasionally but franchises that build to a satisfying climax are few and far between. That, among other things, makes the new Planet of the Apes rebo...

When it comes to dark satires of the romantic comedy genre, few films are more vicious than Danny DeVito's 1989 offering, The War of the Roses. The film revels in its blackness in a way that few films during the last several decades have; even th...

Comedy-based "science fiction" needn't be universally appalling but, to work, it has to be handled with more skill and care than is evident here. The Watch is a studio turd marinated in eau de skunk that stinks worse than week-old fish. It might ha...

The primary draw for Water for Elephants is the pairing of Reese Witherspoon and Robert Pattinson (ignore the ten year age gap) in a love story based on the best-selling novel by Sara Gruen. Sadly, passion and romance are two ingredients missing fr...

After the twin disappointments of Vanilla Sky (which critics generally liked but the public did not) and Elizabethtown (which was equally dismissed by critics and the general movie-going populace), Cameron Crowe has hunkered down in relative obscur...

What might have been… Those four words tell the sad story of too many films, and Welcome to Mooseport is one of them. It starts out with a terrific premise, ripe with the potential for the kind of political satire we haven't seen on the big scr...