Movies starring Pat

The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

The Omen is regarded as a horror classic, although I have never been able to figure out why Richard Donner's second-rate exploitation flick has been accorded such a lofty status. Since the 2006 re-make is almost identical to its predecessor (even ...

With the exception of one production aspect, On Her Majesty's Secret Service is by far the best entry of the long-running James Bond series. The film contains some of the most exhilarating action sequences ever to reach the screen, a touchin...

The recipient of eight Oscars (including Best Picture), On the Waterfront represented a defining moment in the careers to two key participants: actor Marlon Brando and director Elia Kazan. A gritty, uncompromising look at union corruption on the d...

For 25 years, Only Yesterday remained a frustratingly missing entry in Studio Ghibli’s North American collection. The film’s U.S. distribution rights were, like those of the entire animated catalog, held by Disney in the wake of a landmark...

Apparently, it isn't enough for a plague to be the villain. A microscopic entity, "one billionth [human] size" with the potential of wiping out the population of the United States in 48 hours, doesn't represent a sufficient threat. Therefore, Out...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

Sally Potter’s quirky The Party owes a lot to a generation’s worth of French “gathering” films in which a bunch of characters come together for dinner (or something similar) and all hell breaks loose. Commonalities among these films in...

As long as there will be movies, new adaptations of beloved classics will follow. The important aspect for every director to remember is to find a unique angle – a change in tone, a different slant to the narrative, a shift in setting, etc. ...

I have never been a fan of Andrew Lloyd Webber's phenomenally popular stage musical version of The Phantom of the Opera, so it will probably come as no surprise that the film adaptation, which is faithful to its inspiration, left me feeling underwh...