Movies with cinematographer Robert Richardson

The credits for The Hateful Eight proudly proclaim this to be the “Eighth Film” from writer/director Quentin Tarantino. Since catching the movie world unawares with his powerhouse debut, Reservoir Dogs, some 23 years ago, he has worked on...

With Heaven and Earth, Oliver Stone has completed his so-called "Vietnam Trilogy" - three films that examine different aspects of the war that, to this point, has provided the centerpiece of Stone's filmmaking career. The story begins in the vi...

Low, gray clouds scud across the sky while the grass of a seemingly-endless plain ripples in response to the prompting of a spring breeze. Thunder rumbles in the distance. On another day, a bright sun gazes down on those same fields while cattl...

With Hugo, Martin Scorsese has accomplished what few in Hollywood are willing to try: make a movie for adults that arrives without sex, violence, or profanity and earns a PG-rating. It's a fairy tale for mature viewers, but the airy exterior hides ...

With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time. If you think there are rules for this sort of motion pi...

As a concept, Kill Bill has a surfeit of potential. The problems with the film are mostly related to post-production choices, few of which can be said to have resulted in a better product. Taken as a whole, the movie offers its share of tremen...

Quentin Tarantino fans have been waiting six long years for the release of the director's follow-up to Jackie Brown. So what do they get for their patience? An incomplete movie, artlessly cleft in the middle. Cinema interruptus. A film whose ed...

Two things are readily apparent about Kill Bill Volume 2. First, unlike its predecessor, this is a complete movie. It stands on its own. It is possible to see and enjoy Volume 2 in a way that was not true of Volume 1. Viewed in retrospect, the ...

The connection between actor/director/writer Ben Affleck and author Dennis Lehane goes back nearly a decade. In 2007, Affleck made his directorial debut by adapting Lehane’s Gone Baby Gone for the screen. It was a high-water mark in both of the...

Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was rem...