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I’m tempted to call Together Together a romantic comedy because it has some of the rhythms one commonly associates with the genre. However, that would be mislabeling Nikole Beckwith’s sophomore film. Although there is love and affection in...

When one considers the films that won the Best Picture Oscar in the decade from 1956 through 1965, it’s evident that the Academy favored two kinds of productions: spectacles and musicals. During that span, there were two outliers: 1960’s T...

While watching Chris Farley, still at the top of his game, perform in Tommy Boy, it’s easy to ignore how fundamentally bad the overall movie is. A card-carrying member of the bloated, frat-boy comedies that plagued theaters during the early 1990...

Tootsie works for three reasons: a sharp screenplay, good comic timing, and delightful performances. There's nothing deep or philosophical about the film. It doesn't try to solve the world's problems or uncover some great social truth. It's a ge...

Whether suffused with tension or laced with humor, the heist movie has enjoyed enduring appeal since the heyday of film noir. Good heist movies proceed according to an established template that includes meticulous attention to the details of the sc...

It's somewhat amazing that, despite being 31 years old, the Toy Story franchise continues to retain a broad-based appeal unlike that of any other animated property. A cross-generational draw is certainly part of the equation: an eight-year-old who...

The winner of 1992's "worst film to sport a great trailer" is Toys. The good-natured, humorous spots that advertise this film (featuring Robin Williams in a field delivering quirky, amusing one-liners) bear little resemblance the actual product. ...

When one considers the impact Judd Apatow has had on the movie scene over the past decade, it's surprising to realize that Trainwreck is only his fifth feature as a director. This also marks his return to the romantic comedy genre after a two-fil...

Tremors is one of those rare motion pictures that fails during its theatrical run but finds new life on video. Examples of this can be found dotted throughout the VHS/DVD era of cinema (post-1983) but few are as dramatic as in this case. It's not ...

Swedish director Ruben Ostlund is at it again, using the medium of film to satirize themes and ideas worthy of ridicule. In 2017’s The Square, he turned his attention to the art world. In Triangle of Sadness, the canvas is broader and include...