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I suppose it would be fair to characterize Earth to Echo as an homage to E.T. Or at least I assume that's what director Dave Green and screenwriter Henry Gayden were going for: a gentle throw-back to the kinder sorts of science fiction films of t...

As improbable a concoction as it might seem, Edge of Tomorrow is a curious mix of ingredients from the 1993 Harold Ramis/Bill Murray comedy, Groundhog Day, and James Cameron's 1986 sequel to Alien. An Earth-versus-aliens tale set in the near future...

Everybody's Fine explores universal themes - concepts that many sitting in the audience will relate to from one perspective or another. It's about the ways in which the expectations of a parent can shape the life of a child - both in terms of what...

If you’re looking for a strong narrative to go along with kick-ass action, you’re not going to find it in Extraction, a direct-to-Netflix thriller that offers plenty of the latter but not a lot of the former. The movie provides little more...

The best things – or at least the most memorable ones – in The Flash are rooted in fan service and nostalgia. The movie, although too long by about 45 minutes, is enjoyable on that level. With a tone that skews closer to that of Shazam! than M...

It’s said that the sports movie format works best when telling a true story. Director James Mangold, after having spent some time in the X-Men universe (he helmed both The Wolverine and Logan), has returned to the real world to direct two A-...

I confess a degree of bafflement about why Hollywood apparently considers it necessary to employ the dumbest possible screenplays for movies like this. On one level, the only significant differences between G.I. Joe: Retaliation and Transformers ar...

2014 has already seen one straightforward, largely unimaginative bio-pic of a '60s music icon (Frankie Valli in Jersey Boys) - now along comes another. Get on Up, like Jersey Boys, is more notable for its music than for anything else that ends up ...

The Golden Compass, the long awaited cinematic adaptation of Philip Pullman's well-respected novel, is an adequate but not inspired translation of the source material. Writer/director Chris Weitz (one of the American Pie guys) brings a style that i...

Like fine wine, some film age well. The passage of years or decades does little to limit their capacity to provoke tears, laughter, or some other feeling. Then there are the vinegar vintages – movies that may be highly regarded at the time o...